Picnic in the park, 2nd August

And so the summer continues... Still no light on the horizon as far as big life plans go, but I'm now resigned to things going on like this for some time. Meanwhile, as my wedding has been postponed and plans for a big (by my standards) celebration have flown out of the window, there is wine to be drunk! I was delighted to be joined by ACC, G and the Baron for a picnic in the local square yesterday. 

   

Proceedings commenced with a bottle of Delamotte 2002, which is a blanc de blancs and from an excellent vintage. G explained that he had brought it to my attention a few months ago, and then I'd gone and bought a whole case. Well, obvs. There was some debate about how long it will last but in my view there's no great rush so the odd bottle here and there over the next 2-3 years will go down very nicely. 

ACC pointed out this comet motif on the foil. We wondered if this was a reference to Hale-Bopp, but Google tells me that was in 1997. It seems there was a comet called Ikeya-Zhang in 2002, which completely passed me by at the time, but seems like a cheery thing to have on a bottle of champagne and one can only hope the stars will align again soon. 

I made some cheese straws to go with the fizz, which were somewhat lacking in appearance but still tasted pretty good, made with the Cornish Vintage Quartz cheddar from Waitrose. This cheese is rated strength 7 on a scale of 1-6, and in my experience under no circumstances should be eaten after 3 pm as it has a tendency to cause nightmares. Which is a shame, as it's very delicious.  

Next up was this bottle of Corton Charlemagne 2013 from Maison en Belles Lies. For me, this is absolutely wonderful stuff, the epitome of Chardonnay, drinking very well now. Apparently there is still some available from the Burgundy Portfolio - I highly recommend grabbing a bottle or two! We had it with a chicken, apricot and pistachio terrine which worked very well. 

Moving swiftly on, this red Corton Les Renardes 2008 from Domaine Parent was also exemplary. Normally I'd have decanted it, served in proper Riedel red burgundy glasses etc, but as this was a picnic, it had to be served as it came. I had chilled it, which possibly brought out higher acidity, and it was a wonderful example of pinot.

It was an absolutely beautiful colour too.

And then, dessert! I failed to take a photo of the meringues I made, which incorporated pistachios and chocolate chips, based on Nigella's "forgotten cookies" recipe, although Nigella sadly let me down by pretending these would cook properly in a switched-off oven.  

With these, we had two half bottles of Suduiraut 2001, apparently one of the best ever Sauternes vintages. The first half was wonderful, lots of citrus and marmalade, but the second half was even better! It was a slightly darker colour, more gloopy and ACC detected butterscotch. Interesting that there should be so much variation between bottles from the same case. I'm glad we drank them in that order. We finished off with a spot of Epoisses which happened to be hanging around in my fridge *innocent look*

It was very enjoyable to have this get-together after recent months of doom and gloom. Thanks to the boys for your company and giving me an excuse to drink these beauties!

Three recent whites

And so this frustrating period continues, for me at any rate, as while things are getting much better in London, they appear to be deteriorating across the pond. No flights happening any time soon. I'm very ready for this thing to be over and done with! In the meantime, the wine rack is offering some consolation.

G was given this Ovens Farm Sparkling Brut Rose 2018 recently, amongst other things, from a generous friend in Lincolnshire, which is where this winery is based. On the nose, I detected a sweet baked product, which could have been brioche or perhaps, keeping it English, an iced bun. There was a hint of sherbet, strawberries in the middle and a dry finish. Our verdict was that it needed more time to knit together as it still had a beginning, middle and end. Definitely worth revisiting in a year or two.

Next, an old favourite, the Saint-Romain Combe Bazin from Vincent Perrin. I actually got out the 2016 and the 2017 at the same time, so it's been quite interesting to compare them. I have more detailed notes on the 2016, which is a beautiful golden colour and has an absolutely gorgeous nose. It's rich, rounded and gastronomic. On the second day it acquired additional notes of honey. We thought it would be best drunk this year, as it has nowhere to go, and that it would go very well with chicken (perhaps with a creamy mushroom sauce) or with goats cheese. The 2017 is a little lighter and more floral, perhaps more of an aperitif. Always a pleasure. I have some sitting in the fridge right now.

Finally, we had this village Puligny 2015 from Florent Gararudet a couple of months ago. Again it was a lovely colour and had a lot of honey and lemon on the nose. It had a wonderful viscous quality and good acidity especially for this vintage which was sometimes lacking in that department. It was quite rounded, and I'm not sure I'd have guessed it was a Puligny, but to compare something to premier cru Meursault is surely no insult. G said it was "disastrously easily drinkable" and it had a lemon syllabub or even lemon curd tart thing going on. We thought it was very successful.

Four recent reds

Time for another lockdown drinking report! I've been trying to organise my notes in an attempt at writing posts with some sort of theme. This week it's recent reds.

AduV in claret-drinking shocker! A couple of weeks ago G and I had this "Society's Exhibition Pauillac" 2010 from the Wine Society. Initially I managed to confuse it with that other Pauillac which they do, the Ulysse, which I have enjoyed in the past, and indeed, I generally find that Pauillac ticks my boxes. So, what did we have here? First impressions were that it looked young but was in fact fully mature, smooth, savoury and well-integrated.

However, as time went on, we both began to feel that it didn't quite deliver what we'd been expecting. I said it lacked complexity, and G thought it had probably been made from parcels of grapes that weren't good enough to go in the real wine. Then he had a look at the back label, and discovered that this wine was merlot-dominated, so there was our answer. Not what I expected from a Pauillac. Overall, we thought it might have been better five years ago when the fruit might have been more exuberant. "Fourth level Lafite" was G's verdict, which is quite damning even by his standards!

On to better things. G also provided this Morgon Cote du Py Reserve 2010 from Jean-Marc Burgaud. I think we had something from this producer a while back but I don't seem to have blogged about it. He's one of these low sulphur guys and often their wines tend to be light and pretty, but this was very serious. It was a deep purple colour but looked mature, and there was a good hint of farmyard on the nose. G thought that if we'd had it blind we might have thought it was a Rhone due to its resinous quality. Hefty, rich and gastronomic, it reminded me of old school burgundy. Satisfying stuff.

We also recently had this Rully 1er Cru "Chapitre" 2012 from Domaine Vincent Dureuil-Janthial. I see I've written about two of their whites previously, but not any reds. It had a vibrant nose, some nice stone fruits on the mid-palate and cocoa on the finish, which was very long. It was relatively light and juicy, very enjoyable served slightly chilled on a hot summer evening. Exemplary stuff and it confirmed that villages like Rully are the place to go for value these days.

Having said which, there's nothing like a red from the Cote de Nuits... We had this Gevrey-Chambertin La Justice 2011 from La Maison Romane a few weeks ago. It had a glorious nose, with a slightly wild, even feral, character. G said it was reminding me of the unsulphured wines of Romain Chapuis which I love so much. It also reminded me of the Pommard 1er cru Largilliere 2008 from La Maison Romane which remains one of the most lovely wines I've ever drunk (the bottle is sitting in the hall of fame above my kitchen cabinets), and in the same way that the Pommard wasn't very Pommard, this wasn't very Gevrey. No liquorice was detected but it was full of fruit - G said it cycled through different fruits - loganberry, boysenberry and lingonberry were all mentioned, along with poached black cherries. It was mouthwatering, scintillating and truly wonderful wine, drinking perfectly now. Thanks G for sharing all of these with me!

Recent drinking round-up!

Time for another catch-up on what's been drunk lately... one has to get through this interminable lockdown somehow! Here we have three blasts from the past and something new.

The other night, G cracked open a couple of wines from Domaine Parent, and it was fascinating to try them side by side.

The 2015 Bourgogne Rouge came in at a mere 12.5% and had a nose of raspberries and a certain earthiness reminiscent of Pommard. It was lighter than I expected, and very drinkable, the kind of wine I think of as being good with lunch. Not what I was necessarily expecting based on the old days when we used to drink a lot of it.

The 2013 Monthelie came in at 13% and had an attractive, slightly musky nose. It was juicy with a high level of acidity and also seemed light, fruity and young. It opened up after a few minutes and with hindsight would have benefited from an hour in decanter. Apparently it was even better the next day!

Yesterday the weather was good enough for ACC and I to have a socially-distanced picnic in the nearby square. ACC had told me he was going to bring along the new gewurztraminer from Romain Chapuis, which was exciting. I wasn't really sure what food would go well with it, but it turned out that my duck and prune terrine was a very good match. It was a beautiful golden colour and had an aromatic gewurz nose but more subtle than some (no granny's handbag here). Apparently it's made from grapes grown in Alsace but Romain declassifies it so it's a Vin de France. I really liked the weight and richness of it, then discovered it clocks in at a whopping 14.5% so not like some of his other unsulphured wines. Definitely a bottle to share with others, and something a little bit different. The wine bars really ought to snap this up, once they're allowed to reopen...

My contribution was this Moulin-a-Vent Cuvee L'Exception 2011 from the Trichards, which we used to enjoy very much back in the day. A case was still lingering in storage and I had it delivered recently. It has matured very nicely and is still a wonderful bottle of Beaujolais, more on the serious side, and best served slightly chilled. As usual, my glass seemed to evaporate. A very pleasant way to spend a sunny afternoon!

Bourbon report 2020

Thought I'd take a break from writing about wine this week and talk about some bourbon I've been drinking lately. In exciting news, my house bourbon has been upgraded from Bulleit to Eagle Rare 10 year old, above. This can generally be found at £30 a bottle so only slightly more than Bulleit which hasn't been on special offer much lately. It's fairly classic i.e. lots of vanilla, and I probably don't pay it enough attention but it seems to have more finesse, depth and intensity than the Bulleit. A good solid option for the money.

This isn't a bourbon as such, but a rye, and I bring it back from Pennsylvania every time I go, so stocks are having to be carefully managed. The delightfully-named Dad's Hat produce a number of rye whiskeys, but this is G's favourite at 100 proof and costs about $70 allowing for sales tax, which I always forget about until I'm at the till!

It's a dark amber colour and has a very distinctive nose - wood and varnish. It reminds me of an old desk, or possibly the school science lab. I think G likes it because it's dry, and he says the 100 proof is *way better* than the 90. I do recall that the first time we had it, it needed a couple of days to open up. It seems the distillery is just outside Philadelphia, so wrong side of Pennsylvania for a tour, never mind!

In order to eke out our remaining bottle of Dad's Hat, I went on the Master of Malt website to search for something new. This came up and at 13 years of age it appealed to me. It's the Big B from Tennessee, sounds like a rapper. This also needed a day open to show its full character, and at 53.7% needs some dilution too! G found a lot of fruit going on and mentioned mirabelle plums, apricots, physallis and kumquat, while I was struck by a hint of ginger on the finish. It's interesting and complex but at £75 I'm not sure I'd rush to buy it again.

I also bought this bottle of Koval, which we'd had before and enjoyed. I was a little taken aback to discover the bottle was only 50cl, and it cost £49, so again rather pricier than usual. Apparently 750ml bottles are available in the USA for around $50 so it definitely feels like a rip off over here. However, the bottle is very aesthetically pleasing - I love the shape of it, and the font on the label. G pointed out it's the font that opticians use to test your eyes not to be confused with the infamous Barnard Castle Eye Test.

For me, this smells of a hardware store or possibly a carpenter's shop, not in a bad way. There are some wood shavings and it's lighter and herbaceous, with notes of wildflowers, honey, and citrus, maybe even a little eucalyptus. It has a wonderful finish, and G detected a note of ripe pear towards the end. It's not aggressive and reminded us alternatively of an eau de vie de poire or a lowland Scotch. G actually said that it's the closest thing he's ever had to Pappy van Winkle 12 year old which we were fortunate enough to have a few years ago. Apparently it's 51% corn and 49% millet, and they make a number of other spirits including a rye which I may just have to try some time!

Three more reds

Catching up on my notes over the past few weeks...

First up, this Monthelie Le Mons Helios 2009 from Florent Garaudet. I remembered being very impressed with this when we went to visit Florent a few years ago. I decanted it for 2 hours and stuck it in the fridge for a while. It was glossy, with a deep colour and rich nose. On the palate, it was smooth and powerful with lots of berries and cocoa. G found it chewy and it did coat the insides of my cheeks. It was remarkable that this was from Monthelie, not renowned for top notch wines. This actually reminded me of an international-style Volnay such as Clos des 60 Ouvrees. For a village Monthelie to taste like this was a resounding success, and it would last another five years. Definitely a wine to share with others.

Now for something slightly different... a Sonoma Zinfandel 2012 from Quivira. I'm pretty sure this was a random pick from the booze store in Pennsylvania. Can't check the price there at the moment due to website limitations, but wine.com suggests it was around $22. It was a dark purple colour and very glossy. It looked like port, smelled like port... Tasting it, it was big, sweet, rich and jammy, with dried currants and hints of fruit cake. G also detected a citrussy note. "I don't think there's any doubt about which continent it comes from" he said. There was some doubt as to whether we would be able to finish the bottle, but in the end it did make an excellent port substitute to go with cheese. At 14.5% I'm not sure I'll be rushing back for more.

Finally, a Morey-Saint-Denis "Les Crais-Gillon" 2014 from Odoul-Coquard, which G bought at auction. We used to drink a lot of their wine back in the day and I always loved them, so was looking forward to this. 

It was a lovely ruby colour and very inviting to look at.The nose was classic MSD, which I always refer to as black forest gateau - here there was morello cherry, blackcurrant and chocolate cake. It was congruent on the palate, succulent, with a lovely weight. G said it was "not an unrestrained wine", not as flashy as some from this domaine. He thought one might mistake it for a Vougeot. At only 13%, this was a real pleasure to drink..

Strange times

Well, life has been very different for the past 8 weeks and there are no signs of anything changing very much soon, here in London at least.

The biggest disappointment is that we've had to cancel our wedding, which was supposed to be happening in September. The logistics now make it impossible to go ahead in the way we had intended, but we'll find some other way to do it sooner or later. I was looking forward to having a great celebration but ultimately I care more about being married to D than I do about the wedding day itself. No Bridezillas here 😉 No more counting days till my next trip to Pennsylvania either, as it's unclear when that will be. It's not the best time to be in a long-distance relationship, but we just have to be patient and WhatsApp helps a lot.

I probably spend far too much time at the moment reading about R0 numbers, quarantine restrictions, the future of the aviation industry and when exactly is Iceland going to reopen. A pagan Icelandic wedding sounds quite appealing although not if sheeps heads are involved.

There are plenty of things to be grateful for: family and friends seem to be managing all right, work has been keeping me busy (busier than usual in fact, in a good way - doing my bit to help the NHS) and the weather has been good so I've been able to get out for a walk most days and alleviate the cabin fever. My kettlebell has never seen so much action!

And I'm very fortunate to be well-stocked on the wine front. There have been some new arrivals lower down the scale, as well as some older stuff coming to light from the bottom of the wardrobe, such as this Barolo Broglio 2012 from Schiavenza. This is one of two Barolos which I brought back from a trip to Turin in October 2017, so we decided it had bided its time for long enough.

I shared it with G in a suitably socially-distanced way, of course. It was a lovely dark colour, and had what G described as a "big ass nose" of hedgerow fruits. We'd probably have thought it was American if we'd been tasting it blind, not least because it came in at a whopping 15% alcohol. It was big, powerful and polished with well-integrated tannins. Cherry stones, mint, cocoa and liquorice were all mentioned. We felt it had aged as much as it needed to, but I think I'll keep the other one (same year, different producer) for a future group event, as it was so big that one glass would be enough. Not that that stopped us drinking the whole bottle, of course!

Inevitably I couldn't remember how much I paid for it, but think it was in the 40-50 euro range, and Wine Searcher tells me that the going rate is now £47 although this particular vintage is not available from any UK stockists. I think that's fair value for money when compared to some other flashy red wines. This would be a real dinner party pleaser, and might go very well with a cheese course. Now we just need to be allowed to have dinner parties again...